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The
Lonely H
Hair
Reviewed 10.26.07
What happens when you cross melodic folk-rock with acoustic
hippie jams, throw in some classical as well as classic
rock influences, and add in a few dashes of modern indie?
Well, even after listening to this album several times,
I still have absolutely no clue. What I DO know, however,
is that I like it. A lot. The Lonely H have seemingly created
what I thought to be an extinct item in the modern world
of music: an original album. Although each aspect of the
album is fairly easy to pick out, when mixed all together,
it creates a distinctly unique blend of sound, setting it
well apart from their "classic rock" and indie-rock
contemporaries.
The song "The Drought" alone is enough to leave
any listener in an awe-stricken stupor. It contains such
a diverse amalgam of sound that it essentially makes it
impossible to place a single genre on it. However, unlike
many other genre-bending modern artists/bands, the Lonely
H does much more than simply juxtaposing a few different
styles of music and dispersing them throughout the album.
While each song has its own distinctive sound, they each
also contain the same general principles of sonic blending.
Each song seems to have been very carefully musically crafted,
with a pinpoint attention to detail.
Although Hair is strong in virtually every aspect throughout
the entire album, it certainly comes as a bit of an acquired
taste. It really took me a few listens to start getting
into, so keep that in mind when listening, and never dismiss
it upon first hearing alone. Musically, there were only
a few small pieces I found troubling, but although the pieces
may have been slightly bent, they still fit perfectly into
the rest of the puzzle. The vocals falter at a few points
as well, but in terms of an overall piece of work, Mark
Fredson delivers a strong performance throughout the duration
of Hair.
The most intriguing thing about the newest product from
The Lonely H is the diversity in melody. Most bands seem
to find a melodic pattern that suits them and write their
songs to fit around that particular pattern. This album,
however, seems to have been written so that the melodies
each fit the distinct songs they were written for, and creates
an interesting mash-up of different sounds to compliment
the already vast diversity in terms of musical genres. This
sort of songwriting is a rare gem in today's "market"
and sets The Lonely H apart from nearly all of their contemporaries.
Overall, the album delivers a solid (nearly) forty minutes
of everything from mellowed out chill songs to faster paced
rock jams that won't leave any listener disappointed. Songs
to keep an ear on: "The Drought", "Captain",
and "Yeah, Yeah".
Review by: Brian Anderson
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